Enter the world of The Last Fruit Tree, a still life editorial by Scotty Gunderson, David Miller, and Dylan Nelson. This collection exists in a liminal space where fruit is archived and florals are reborn, bridging decay and resurrection. The resulting artifacts and vessels, including ceramics by Ashley Brazil, challenge perceptions of function and futility. Is this a beginning, a middle, or an end? A forgotten harvest, or a stage for deliberate excess? These are not mere images, but echoes of what remains when growth recedes. Witness these fragile, constructed scenes that linger and resonate, even as they wither.

Introducing a series of hybrid vases, a beautiful collaboration born from the residency of photographer Céline Saby and floral designer Jefferson Fouquet at Ateliers dans la Forêt. This series captures a dialogue between Jefferson Fouquet's floral compositions and Rémi Braquemont's curated selection of vases for Volume Céramique.

As we yearn for the tranquility of the countryside, a new kind of fashion is blossoming – one that seamlessly blends functionality with design. Who knew rubber boots and gloves could be so chic?

“Flowers have always captured human attention. Their beauty, undeniably a product of nature’s perfect design, manifests the magnificence of its creation: colors and forms, art and function, all in a single entity that has its own life and limits. An elegance displayed within a finite period of time...” Studio DSTN