A still life series inspired by the timeless elegance of vintage floral cigarette cards.

What if the world was softer, holding our fragile weight in its seams? We often mistake uprooting for growth, pruning ourselves for display while hiding the heavy labor of beauty. Yet, beneath the surface of what we show the world, we remain bound by an invisible network of care—a silent weaving of roots that keeps us from falling and allows us to truly bloom.

*Between Two Waters
“The darkness allows the light to be seen. This project emerged after a period of emotional fragility, as a space to slow down. I work with seasonal, locally sourced flowers. These images explore a state of being, neither fully dark nor light, but somewhere in between. Moments of instability, of losing and finding balance. Flowers float, each moving singularly, through the rhythm of water. Between shadow and light, a flower becomes a quiet, persistent presence, continuing to move, searching for the light. The work invites a form of quiet contemplation, a space to pause. A way, perhaps, to stop and stare for a moment.” Lucie Bascoul

“The series reflects on the quiet nostalgia of Easter. To me, easter is filled with traditions and childhood memories with nature at its core. Snowdrops, the first sign of spring arrival, would carefully be collected and preserved for Easter letters sent to family and friends. In the garden, my grandmother would hide beautiful handmade nests filled with chocolate eggs for all of us kids to find. Eggs would be decorated and hung around the home as a colourful sight.” Andrea Brandt

This series unfolds as a sensitive inventory of objects, colors, and gestures. Each image isolates a presence, a fragment of dyed surface, a fragile vegetal form, or a woven object as if gently extracted from an imaginary world. Rooted in ancestral gestures such as dyeing or basketry, it explores what remains once the gesture is completed. The photographed objects oscillate between function and fiction, between utilitarian forms and symbolic presences. They appear as silent artifacts, charged with memory, care, and invisible uses. The fabrics, printed or dyed with vegetal colors, enter into dialogue with the flowers and natural elements present in the images, the vegetal world permeates the compositions, subtly extending into the backgrounds. Through color, material, and composition, this inventory constructs a poetic archive of modest objects, conceived as talismans or protective forms.

This series of still lifes explore the deep emotional bond we weave with the landscapes and gardens we encounter. Through the lens of Doriane Terraillon and the meticulous set design of Lise Dupont, these compositions celebrate the joy of preserving fragments of nature, sweet memories of gardens met, then collected like treasures to keep their essence alive.

In this spontaneous series, photographer Aurélie Joly and set designer Jefferson Fouquet explore the silent beauty of the ephemeral. Fragility & Imperfections casts a contemplative gaze on the poetry found in small details: the texture of a butterfly wing, the organic curve of a withering plant, or the shattered glass of a timepiece. Here, imperfection is not a flaw, but a testament to a living, breathing existence. The project invites you to slow down and observe the delicate textures and the quiet strength of objects that, though fragile, capture the very essence of the present moment.

A delicate still life editorial that invites quiet contemplation. Through Nikolaz Le Coq’s soft light photography and Tara Msellati’s floral arrangements mixed with Raphael Serres’ ceramics, this series captures a mood of gentle, restful beauty. It is a visual hymn designed to soothe, finding tranquility in the exquisite details of the botanical world.

Enter the world of The Last Fruit Tree, a still life editorial by Scotty Gunderson, David Miller, and Dylan Nelson. This collection exists in a liminal space where fruit is archived and florals are reborn, bridging decay and resurrection. The resulting artifacts and vessels, including ceramics by Ashley Brazil, challenge perceptions of function and futility. Is this a beginning, a middle, or an end? A forgotten harvest, or a stage for deliberate excess? These are not mere images, but echoes of what remains when growth recedes. Witness these fragile, constructed scenes that linger and resonate, even as they wither.

Introducing a series of hybrid vases, a beautiful collaboration born from the residency of photographer Céline Saby and floral designer Jefferson Fouquet at Ateliers dans la Forêt. This series captures a dialogue between Jefferson Fouquet's floral compositions and Rémi Braquemont's curated selection of vases for Volume Céramique.

As we yearn for the tranquility of the countryside, a new kind of fashion is blossoming – one that seamlessly blends functionality with design. Who knew rubber boots and gloves could be so chic?

“Flowers have always captured human attention. Their beauty, undeniably a product of nature’s perfect design, manifests the magnificence of its creation: colors and forms, art and function, all in a single entity that has its own life and limits. An elegance displayed within a finite period of time...” Studio DSTN